Week 02 - Ideas, craft & context

Weekly Learning Outcomes

You will be working towards achieving the following learning outcomes detailed in the Assignments tab:

LO1: Research — Select and deploy appropriate research methodologies to inform the needs within a project.
LO4: Distil — Position a creative strategic insight that has been distilled and refined through an informed investigation.
LO5: Imagine — Deliver appropriate and innovative ideas that embrace risk, have contemporary relevance and question the boundaries of the discipline.
LO6: Make — Select and utilise relevant tools, skills and technologies in the delivery, iteration and sustainable production of an outcome.
LO7: Collaborate — Demonstrate inclusive and empathetic strategies to plan and execute a project across distributed collaborative situations.
LO8: Design — Realise a final solution that evidences its strategic journey and clear relationship between form and function.
LO9: Communicate — Communicate effectively in a range of contexts and situations to specialist and non-specialist audiences.

 

TUTORS ADVICE
Take the time to deploy relevant research methodologies, as outlined in GDE710 ‘Contemporary Practice’, to help steer the development of your project. This is an important phase in the development of a creative project and we recommend you look at your subject from all perspectives, to help reach your designated audience.

 

Lecture video - watch and reflect
Week 2: How do you visualise and develop your initial ideas?

Christop Miller - Offshore

This podcast series explores further how ideas are developed especially when two people are sharing ideas and how as an individual we research, analyse, and all the other methodologies when approaching an idea. Where its initial scamps, mood boards, and detailed experiments we all approach our development differently. Christop emphasises that once you have developed a system of how yo approach a project, stick to your tried and tested processes.

Verònica Fuerte – Hey!

Verònica talks about her process and how she applies the same methodologies to self-initiated projects as she would approach a Commercial project. With self-initiated projects though you don’t have the necessity to explain the values so have to come up with the questions and inspiration yourself and how you will approach this topic.

Vince Frost – Frost Collective

Vinces approach is very similar to the way I was taught, Which is to put all concepts in a sketch book, which you can also jot ideas down in. Once he has this done this, he might then work on InDesign, and play around with design, with type, and ideas in an experimental phase.

Sam Bompas – Bompas & Parr

Sam discusses how you can never underestimate how much research you need to do for a project “shit ton” and also emphasises how a wide library of books can trigger your imagination or trigger creative ideas. From this, he has a creative team that can turn his ideas into a reality through a 3D cad drawing or through photography, but he also reverts back to the simple handwritten sketch on a napkin, as basic development that can turn into a commercial design!

James Stringer – Werkflow

James talks about the perspective from games designs and their ability to create mood and environments for art and music. With their video games being a lot more complex, their are a lot of work flows and a multitude of disciplines involved to capture motion. This normally involves a variety of different team members and disciplines.

What are your points of inspiration, theories and reference?

Christop Miller - Offshore

With graphic design, Christop appreciates a lot of Swiss and Czech designers and some type of modernist ideas from the Bauhouse era. He also emphasies that collaborations are great if you can learn a lot from them, but to move forward, it is good to get a variety in as many fields as possible.


Introduction - Stuart Tolley
Week 2: Ideas, craft and context - Applied thinking, speculative and contemporary theory in design.

After last week’s task in identifying the subject of our self-initiated project. This week we are to develop our concept further and determine the visual direction of our own project through a mood board.

We are asked to thoroughly explore a variety of directions to reach our chosen demographic and respective audiences. We are reminded to refer back to 710 and previous modules and deploy some of the research methodologies to ensure your ideas are communicated effectively.


This week’s lecture 5th October 2023 - With Frauke
We discussed and were shown various creative examples of self-initiated projects. We were advised that our project should have a clear purpose and direction - why and what is your research methodology?

These are the project examples that captured my imagination and made me consider my own self-initiated project. 

Anthony Burrill

Anthony Burrill started creating prints using letterpress printing, as a self-initiated project, never realising how popular they would be.  He uses visual communication in type in his prints in a distinctive block style using simple motivating and inspirational phrases to the reader such as ‘Work Hard & Be Nice To People’. 

He has had an extensive career and collaborated with The Tate, V&A, and the Design Museum in New York. 

Anthony Burrill - Creating a poster with meaning and purpose

This is another of his posters. This was screen printed with oil from the Gulf of Mexico on white paper, top half 'Oil & Water' in brown oil, bottom half 'Do Not Mix' in white, surrounded by brown oil.

Brief: Following the Deepwater Horizon oil spill in the Gulf of Mexico in 2010, Anthony Burrill was approached by Tom Galle and Cecilia Azcarate, the creative team at the communications agency Happiness Brussels. Galle and Azcarate asked Burrill to design a poster using oil from the spill.

Ed Ruschas Chocolate Room

Concept artist Ed Ruscha covered a room in multiple sheets of paper screen printed with chocolate. Originally created while in Venice, Italy, in 1970, in the context of the American Pavilion’s exhibition at the Venice Art Biennale. The interior walls of the room were covered with 360 silkscreens featuring Nestlé chocolate.


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Week 03 - Development

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Week 01 - Brief Analysis